Wednesday, December 31

R. E. M. - Two Big Nights in Athens 1982 (sbd)

i & i
Athens, GA
Oct. 21-22, 1982
  
soundboard recordings (quality: VG+ from low-generation sources)


ROB SEZ: While pestering my secret source for more mid-1980s soundboard recordings, I thought I'd try a little detour with this early '80s twofer from my archive. I've always liked one of these two recordings. The Oct. 22 set sounded very good when I received it, so I left that one alone. But the Oct. 21 set never sounded very good -- almost as if someone took a decent-sounding low-generation soundboard recording, then added a blunt-force, low-tech filter that muffled everything. So I did some work on it, and now it's just about the equal of the Oct. 22 show. As you'll see from the track listings, mostly different songs were preserved from what was most likely a similar set played both nights. Between these two recordings, we get to hear about 20 different songs, which make up most of the band's live repertoire from this era. I had fun doctoring up an old poster publicizing the band's 2-night stand at the i & i club, but on different dates than these. There was a ghastly image of the band defacing the original poster, so I replaced it with a rare photo from this era. Please enjoy.

Thursday, Oct. 21, 1982
     (revised 2025)
01 Moral Kiosk (fades in)
02 Catapult
03 After Hours - 1,000,000
04 West of the Fields
05 Radio Free Europe
06 White Tornado
07 Ages of You
08 We Walk
09 Carnival of Sorts (Boxcars)
10 So You Want to Be a Rock'n'Roll Star
11 Stumble - Skank
12 Neverland (fades out after a minute)

Friday, Oct. 22, 1982 
01 So You Want to Be a
     Rock'n'Roll Star 
02 Moral Kiosk
03 Pilgrimage
04 Shaking Through
05 Wolves, Lower
06 Laughing
07 Romance
08 Sitting Still
09 Pretty Persuasion
10 Catapult 
11 1,000,000
12 Gardening at Night
13 9-9 (fades out)

 

  


Thursday, December 18

Rapid Eye Movement - Holiday Fanclub Singles (complete)

FLAC UPGRADE, courtesy of Colin

R.  E.  M.
Holiday Fanclub Singles (complete)
1988-2011

ROB SEZ: I can think of no better musical celebration of the holidays than listening to the complete set of fanclub singles issued by R.  E.  M.  After calling it quits, the guys shut down the fanclub in 2011. I've had these posted as high-quality MP3s for many years. A couple of years ago, Colin at the magnificent Dream Remaster blog was able to upgrade nearly all of these to FLAC, with just a few remaining as MP3s. I thought it was past time to share 'em here.

soundboard recordings (sound quality range VG+ to Ex-; many are vinyl rips with attendant pops & a few skips)

First fanclub single, issued in 1988
THANK YOU KINDLY to the original rippers, sharers & posters. HUGE THANKS to Colin!

1988a Parade of the Wooden Soldiers
1988b See No Evil (Television cover)
1989a Good King Wenceslas
1989b Academy Fight Song
1990a Ghost Reindeer In the Sky
1990b Summertime (final seconds cut)
1991a Baby Baby (Vibrators cover)
1991b Christmas Griping
1992a Where's Captain Kirk?
          (Spizzenergi cover)
1992b Toyland
1993a Silver Bells
1993b Christmas Time Is Here
1994a Sex Bomb (Flipper cover)
1994b Christmas In Tunisia
1995a Wicked Game (Chris Isaak cover)
1995b Java (Allen Toussaint cover)
Artwork for 1999 holiday single
1996a Only In America
           (Jay & The Americans cover)
1996b I Will Survive (Gloria Gaynor cover)
1997a Live for Today
1997b Happy When I'm Crying
           (Pearl Jam cover)
1998a Lucky (M. Stipe w/Radiohead)
1998b E-Bow the Letter
           (live w/Thom Yorke)
1999a Country Feedback
           (Live w/Neil Young)
1999b Ambulance Blues
          (Live w/Neil Young)
2000a Christmas Time (Is Here Again)
2000b Hastings & Main
2000c Take Seven
2001a Let Me In (Live)
2001b Find the River (rehearsal)
2002a No Matter What (Badfinger cover)
2002b Jesus Christ (LX Chilton cover)
2002c M. Stipe reads Martin Luther King
2003a Country Feedback (Live)
2003b It's the End of the World As We 
          Know It (And I Feel Fine) (Live)
2004a I Wanted to Be Wrong (Live)
2004b She Just Wants To Be (Live)
2005a Turn You Inside-Out (Live)
2005b The Great Beyond (Live)
2006a Tongue (Live) [performed by Tin Cup Prophette]
2006b So. Central Rain (I'm Sorry) (Live)
2006c These Days (Live) [performed by The Observatory]
2006d Begin the Begin (Live)
Final fanclub single, issued in 2011
2007a Merry Xmas Everybody
          (Slade cover)
2007b Magnetic North
2008a Living Well Is the
          Best Revenge (Live)
2008b Let Me In (Live)
2008c Just a Touch (Live)
2009a Santa Baby
2009b Crazy Like a Fox
      (Link Cromwell & The Zoo cover)
2010a Christmas
          (Baby Please Come Home)
2010b IHT->U->EDIYTW (Dubmix)
2011a Perfect Circle (Live)
2011b Life and How to Live It (Live)

FLAC (plus a small handful of MP3s)
 

ARTWORK FOR ALL SINGLES INCLUDED.

Check out the many connections between 
R.  E.  M. and The dB's at THIS earlier post.

For complete fanclub singles discography info, look at these
two great fan sites: HERE and HERE.

   

Monday, July 21

R. E. M. - 1986-09-05 Pelham, AL (sbd - Buren Fowler master tape) UPGRADE

UPGRADE - soundboard master
  
Oak Mountain Amphitheatre
Pelham, AL
Sept. 5, 1986
 
soundboard recording (quality: EX, master tape transfer)

artwork, revised from original post, is included

  
AUDIO SAMPLE: Driver 8 - upgraded version

ROB SEZ: UPGRADE - MASTER TAPE SOURCE, REVISED. The source for this recording is Buren Fowler (R.I.P.), the band’s guitar tech and second guitarist for live performances in 1986 & 1987. (Michael introduces Buren briefly after Driver 8.) Before the show, Fowler gave the FOH sound guy a C-90 and asked him to record as much as would fit. Apparently, he held onto the tape as a keepsake of his time with R. E. M.  Later, Buren gave this and other live tapes to his friend, T. Patton Biddle (“Pat the Wiz”) for safe keeping. 
A friend of Pat's digitized the master tape, revised it with subtle-but-significant enhancements made with high-end equipment, and kindly shared it with me. My debt of gratitude lies with Mr. Anonymous, Buren, and Pat — all behind-the-scenes heroes who played their part in the phenomenon that was R. E. M. As for the performance, you can feel the pent-up energy of the band, which hadn't played together for many months after completing Lifes Rich Pageant. After a week of tour rehearsals in Knoxville, TN, the guys obviously were ready to roll. The lucky fans in attendance witnessed the live debut of 9 songs, including 6 from the new album. 
This recording does not represent the entire performance: it's missing 6 songs played that night, including the first 4. You can hear 5 of the missing songs, in fairly good audience quality, in this recording.
  
 
Stay tuned; more to come.

      

    


Friday, June 20

R. E. M. - 1987-11-05 UIC Pavilion, Chicago, IL (sbd - Buren Fowler master) - NEW

The Pavilion
The University of Illinois Chicago
Chicago, IL
Nov. 5, 1987
    
soundboard recording (quality: EX, a pristine recording)
   
  
SAMPLE: Auctioneer (Another Engine) live UIC '87
    
ROB SEZ:  For a good while, there was a rule of thumb in R. E. M. fan circles that went something like this: if you're looking for live soundboard recordings from 1986 and 1987, don't bother. Other than the live bonus disc released for the 25th anniversary of Document (and a rather odd benefit concert in January 1986), said the rule, there just aren't any soundboard recordings from 1986 or '87. Then, earlier this year—like musical manna—T. Patton Biddle (Pat the Wiz) shared with me a good handful of soundboard recordings, a couple of which are pretty much perfect. Recently, I shared a soundboard recording from the 1986 Pageantry Tour launch on Sept. 5th in Pelham, AL. 
Can you tell I LOVE this photo?
Michael onstage, Charleston, WV on 14 Oct. 1987
photo credit: grumpnet
This week, I'm sharing a pristine soundboard recording from the 1987 Work Tour. For my money, the performance and sound quality are second only to the Document anniversary bonus disc. Full credit to Pat and Buren Fowler, the band's guitar tech and supplemental guitarist for live performances in '86 and '87. Buren gave the FOH sound guy a 90-minute tape and asked him to record as much of the show as would fit on it. Pat then digitized the tape, and this is the fabulous result—even though it lacks 6 songs played that night. Later, Buren shared this and other tapes with Pat, who held onto them after Buren's death in 2014. 

Just one request: play this one LOUD! 
   
    
More soundboards from the 1987 tour are coming. 
Stay tuned...


Friday, June 13

R. E. M. - 1981-04-02 Augusta, GA (audience rec. - Pat the Wiz)

New York, New York (venue)
Augusta, GA
April 2, 1981
  
audience recording (quality: VG- from Pat the Wiz)
    
   
SETLIST (via REMTimeline)
     

set 1: Rave On (pre-recorded) / Burning Down / A Girl Like You / Get On Their Way / There She Goes Again / Pretty Persuasion / Body Count / Different Girl / Action / Narrator / Hey Hey Nadine

set 2: Radio Free Europe / Sitting Still / Dangerous Times / All the Right Friends (cuts out) / Little Girl (cuts in) / (Don't Go Back to) Rockville / Windout / Gardening at Night / Wait / Schéhérazade / Lisa Says / Mystery to Me / Gloria

set 3: C'mon Everybody (pre-recorded) / White Tornado / Just a Touch / I Can't Control Myself / 9-9 / Night Time / Pills / Nervous Breakdown / Baby I / Permanent Vacation (cuts out)


SAMPLE: White Tornado -> Just a Touch (live Augusta, GA 1981)


ROB SEZ:
Here's an early days rarity for fanatics of the band, and the sound quality is fairly good, especially considering its origins. This comes from a "boom box" recording, according to T. Patton Biddle (Pat the Wiz). When he shared it with me, he explained the band hired him to be their sound tech for this show in Augusta, GA. Apparently there was no other recording equipment available, so a boom box positioned in front of the stage was the only viable option. 
Thanks to Pat, we can now enjoy one of the band's earliest known live recordings, and we have all 32 of the songs played that night. Although I could've chopped out some stretches of audience chatter, I left them in since this recording is so rare and I thought the archivists among you would want to hear everything as I received it. There's a fun little audio bonus to listen for at the very end. (The files Pat shared with me were lossy, so no FLAC this time.) 

   
LINEAGE: T. Patton Biddle master tape from boom box recording --> ? --> lossy digital file share --> Audacity for normalization & DC offset, track splitting, speed & pitch adjustment, fades --> MP3 files  *no eq or compression*


Still more to come...

   

Thursday, May 29

The dB's - Los Angeles 2024 (aud master)

  
Zebulon Cafe
Los Angeles, CA 
Nov. 17, 2024
  
audience master (sound quality: VG+ to Ex-)


           SAMPLE: (I Thought) You Wanted to Know

01 crowd/tuning
02 The Fight
03 Cycles Per Second
04 chat
05 Big Brown Eyes
06 Before We Were Born 
07 That Time Is Gone
08 She's Not Worried
09 Living a Lie
10 Ask For Jill
11 chat
12 Lonely Is (As Lonely Does)
13 Happenstance
14 Love Is for Lovers
15 From a Window to a Screen
16 I'm In Love
17 Neverland
18 chat
19 Dynamite
20 Amplifier (with band intros)
21 Black and White
22 encore break
23 We Were Happy There
24 chat
At the Zebulon Cafe, during this here show.

25 My Little Red Book*
26 In Spain
27 (I Thought) You Wanted to Know
   
    *Bacharach/David song, sung by Will

The dB's:
Peter Holsapple - vocals & guitar 
Chris Stamey - vocals & guitar
Gene Holder - bass
Will Rigby - drums
    
Wes Lachot - keyboards

ROB SEZ: I tried to catch our heroes on their brief tour in 2024, and again in early 2025, but it was not to be. The only show I could possibly attend was cancelled due to illness, and later it was rescheduled to a date that didn't work for me. But virtual reality is still a version of reality, so I was very pleased that Man of Stealth taped this gig at the end of The dB's 2024 jaunt. The ostensible purpose of the mini tour was to promote the first-ever U.S. vinyl release of Stands for Decibels, in all its remastered glory. A remastered / reissued Repercussion followed soon thereafter. Additional thanks go to Dennis Orr, who mastered this recording, which sounds very good indeed. Blog reader FRS shot this video of "Amplifier" during this gig—nice!

*It's a amazing and remarkable to see the 4-piece dB's lineup still playing live music together 45 years after they started out — as Carolina-transplanted starving artists, trying to make it in NYC.*

FLAC (hi-res 24-48)


Tuesday, May 27

Peter Holsapple & Chris Stamey - Philadelphia, PA 2024 (sbd-stage matrix)

The Loft at City Winery
Philadelphia, PA
March 17, 2024

sbd-stage matrix recording (sound quality: Excellent)

CD 1
1.  intro
2.  She Was the One
3.  Geometry
4.  Big Brown Eyes
5.  Here Without You
6.  From a Window to a Screen
7.  Molly Says
8.  After All This Time/
Lost Without You 
9.  Swanhilda
10  Early In the Morning
11. Close Your Eyes
12. Our Back Pages 

CD 2
1.  The Child In You
2.  The Lord of the Manor
3.  She's Not Worried
4.  Today Could Be the Day
5.  Nothing Is Wrong
6.  Black & White
7.  I Want to Break Your Heart
8.  Angel
9.  <encore applause, tuning>
10.  Lonely Is as Lonely Does
11.  Something Came Over Me
12.  Here and Now

ROB SEZ: We're getting back to the origins of the blog with this post. Lilpanda is the one to thank for this very impressive recording. He snagged a direct feed from the soundboard and added an ambient recording using onstage microphones, mixed to create a superb audio artifact. If you leave a comment (GIGANTIC hint) please thank the great Lilpanda.

FLAC (hi-res 24-96 files) 


HOLSAPPLE-STAMEY FANS! Don't forget to snag Peter's new album The Face of 68, out now on vinyl, CD and digital release. Chris's next album Anything Is Possible is due out in July on Label 51 Recordings. The first single is the Beach Boys-esque "I'd Be Lost Without You." You can hear the title track HERE, and "Dont Talk (Put Your Head On My Shoulder)" is HERE
         
      

Friday, May 9

R. E. M. - What the Hell Just Happened? 1987-08-19 Athens, GA (sbd - M1) - NEW

The 40 Watt Club

Athens, GA

Aug. 19, 1987

  

soundboard recording

(Pat the Wiz's digital revision from his master reel)

    

01 Finest Worksong 


02 Welcome to the Occupation

 

03 The One I Love


04 Begin the Begin


05 Orange Crush*


06 Disturbance at the Heron House


07 Title


08 Superman


09 return to the stage


10 It's the End of the World as We Know It (And I Feel Fine)

   

     *LIVE DEBUT


   

SAMPLE TRACK: "Disturbance at the Heron House" (live Aug. 19, 1987 - sbd)

   

ROB SEZ: This recording prompted my return to blogging after years away. It’s easily one of my top 3 live recordings ever by the band. Michael, Peter, Mike and Bill are firing on all cylinders and sound elated to be playing 5 songs from album number 5, plus a few chestnuts and one brand-new song: Orange Crush, heard here in an early Michael-is-ranting version. Document had been completed by the time of this performance, but hadn't yet been released. I got the idea of compiling an alternative version of Document, and dug out of my archive an old, rare soundboard recording of this performance. That recording had some problems with digi noise, not to mention an unknown lineage. For some time, I’d been aware of the audience recording for this performance that came from the JEMS team. But once I knew there was a soundboard recording out there, possibly in better shape than the one in my archive, I was determined to find it. Eventually, that led me to the guy who recorded it in the first place: the true southern gentleman T. Patton Biddle (Pat the Wiz), who’s still living near Athens, GA after playing his part in the early career of R. E. M. Pat was utterly gracious in agreeing to send me the digital transfer made from the master recording. I am proud to present what I believe is the definitive version of this gob-smacking performance, absent a transfer from the master with no post-transfer digital amendments. Please enjoy.

   

Someone who was there must’ve said:

What the hell just happened?

FLAC


MP3@320


If you want to hear my alternative version of Document, featuring demos and live takes, that's HERE. A generous handful of tracks come from this live recording.


Further details & recording lineage:


REMTimeline says:


Silent Peas show. R. E. M. perform unannounced as a supporting act & the live debut of “Orange Crush” features a totally different vocal arrangement, with Stipe just singing/rambling various army and war statements etc. Mike Mills & Bill Berry's usual backing vocal is not present in this version. Mike Mills thanks the Silent Peas for letting R. E. M. open the show for them.


LINEAGE: T. Patton Biddle's master cassette —> TPB's digital transfer, using unknown equipment —> unknown digital editing, including added compression —> Audacity for tracking, fades, normalization, editing out dead air, and 1 pass of eq to boost bass frequencies and lower treble —> FLAC


Find a link for the original raw, untracked, unprocessed file under Comments. 


That's it (for now) for my R. E. M. special shares.

Plenty more to come from The dB's and other artists.