R. E. M. - 1987-11-05 UIC Pavilion, Chicago, IL (sbd - Buren Fowler master) - NEW

The Pavilion

The University of Illinois Chicago

Chicago, IL

Nov. 5, 1987

    

soundboard recording (quality: EX, a pristine recording)

   

  

SAMPLE: Auctioneer (Another Engine) live UIC '87

    

ROB SEZ:  For a good while, there was a rule of thumb in R. E. M. fan circles that went something like this: if you're looking for live soundboard recordings from 1986 and 1987, don't bother. Other than the live bonus disc released as part of the 25th anniversary of Document (and a rather odd benefit concert in January 1986), said the rule, there just aren't any soundboard recordings from 1986 or '87. Then, earlier this year—like musical manna—T. Patton Biddle (Pat the Wiz) shared with me a good handful of soundboard recordings, a couple of which are pretty much perfect. Recently, I shared a soundboard recording from the 1986 Pageantry Tour launch on Sept. 5th in Pelham, AL. 

Can you tell I LOVE this photo?
Michael onstage, Charleston, WV on 14 Oct. 1987
photo credit: grumpnet

This week, I'm sharing a pristine soundboard recording from the 1987 Work Tour. For my money, the performance and sound quality are second only to the Document anniversary bonus disc. Full credit to Pat and Buren Fowler, the band's guitar tech and supplemental guitarist for live performances in '86 and '87. Buren gave the FOH sound guy a 90-minute tape and asked him to record as much of the show as would fit on it. Pat then digitized the tape, and this is the fabulous result—even though it lacks 6 songs played that night. Later, Buren shared this and other tapes with Pat, who held onto them after Buren's death in 2014. 

One request: play this one LOUD! 

FLAC

   

MP3@320

    

More soundboards from the 1987 tour are coming. 

Stay tuned...

R. E. M. - 1981-04-02 Augusta, GA (audience rec. - Pat the Wiz)

New York, New York (venue)

Augusta, GA

April 2, 1981

  

audience recording (quality: VG- from Pat the Wiz)

    

   

SETLIST (via REMTimeline)

     

set 1: Rave On (pre-recorded) / Burning Down / A Girl Like You / Get On Their Way / There She Goes Again / Pretty Persuasion / Body Count / Different Girl / Action / Narrator / Hey Hey Nadine

set 2: Radio Free Europe / Sitting Still / Dangerous Times / All the Right Friends (cuts out) / Little Girl (cuts in) / (Don't Go Back to) Rockville / Windout / Gardening at Night / Wait / Schéhérazade / Lisa Says / Mystery to Me / Gloria

set 3: C'mon Everybody (pre-recorded) / White Tornado / Just a Touch / I Can't Control Myself / 9-9 / Night Time / Pills / Nervous Breakdown / Baby I / Permanent Vacation (cuts out)

SAMPLE: White Tornado -> Just a Touch (live Augusta, GA 1981)

ROB SEZ: Here's an early days rarity for fanatics of the band, and the sound quality is fairly good, especially considering its origins. This comes from a "boom box" recording, according to T. Patton Biddle (Pat the Wiz). When he shared it with me, he explained the band hired him to be their sound tech for this show in Augusta, GA. Apparently there was no other recording equipment available, so a boom box positioned in front of the stage was the only viable option. 

Thanks to Pat, we can now enjoy one of the band's earliest known live recordings, and we have all 32 of the songs played that night. Although I could've chopped out some stretches of audience chatter, I left them in since this recording is so rare and I thought the archivists among you would want to hear everything as I received it. There's a fun little audio bonus to listen for at the very end. (The files Pat shared with me were lossy, so no FLAC this time.) 

MP3@320

   

LINEAGE: T. Patton Biddle master tape from boom box recording --> ? --> lossy digital file share --> Audacity for normalization & DC offset, track splitting, speed & pitch adjustment, fades --> MP3 files  *no eq or compression*

Still more to come...

   

R. E. M. - 1986-09-05 Pelham, AL (sbd - Buren Fowler source) NEW

Oak Mountain Amphitheatre

Pelham, AL

Sept. 5, 1986

 

soundboard recording (quality: EX, check the sample)

   

NEW to circulation

   

AUDIO SAMPLE: Driver 8

ROB SEZ:  The tape source for this recording came from Buren Fowler (R.I.P.), the band’s guitar tech and second guitarist for live performances in 1986 & 1987. (Michael introduces Buren briefly after Driver 8.) Fowler gave the FOH sound guy a C-90 and asked him to record as much of the show as would fit. Apparently, he held onto the tape as a keepsake of his time with R. E. M.  If this is not a a digital transfer from the master recording, it sounds darn close. Later, Buren gave it and other live tapes to his friend, T. Patton Biddle (“Pat the Wiz”) for safe keeping. 

Pat, the ace sound tech who recorded many of the band’s shows in and around Athens, GA in the 1980s, digitized the tape and kindly shared it with me. My debt of gratitude lies with these two behind-the-scenes heroes who played their part in the phenomenon that was R. E. M. As for the performance, you can feel the pent-up energy of the band, which hadn't played together for many months after completing Lifes Rich Pageant. After a week of tour rehearsals in Knoxville, TN, the guys clearly were ready to roll. The lucky fans in attendance witnessed the live debut of 9 songs, including 6 from the new album. This recording does not represent the entire performance: it's missing 6 songs played that night, including the first 4. You can hear 5 of the missing songs, in fairly good audience quality, in this recording.

  

FLAC

 

MP3@320

Stay tuned; more to come.

      

The dB's - Los Angeles 2024 (aud master)

  

Zebulon Cafe

Los Angeles, CA 

Nov. 17, 2024

  

audience master (sound quality: VG+ to Ex-)

           SAMPLE: (I Thought) You Wanted to Know

01 crowd/tuning

02 The Fight

03 Cycles Per Second

04 chat

05 Big Brown Eyes

06 Before We Were Born 

07 That Time Is Gone

08 She's Not Worried

09 Living a Lie

10 Ask For Jill

11 chat

12 Lonely Is (As Lonely Does)

13 Happenstance

14 Love Is for Lovers

15 From a Window to a Screen

16 I'm In Love

17 Neverland

18 chat

19 Dynamite

20 Amplifier (with band intros)

21 Black and White

22 encore break

23 We Were Happy There

24 Chat

At the Zebulon Cafe, during this here show.

25 My Little Red Book*

26 In Spain

27 (I Thought) You Wanted to Know

   

    *Bacharach/David song, sung by Will

The dB's:

Peter Holsapple - vocals & guitar 

Chris Stamey - vocals & guitar

Gene Holder - bass

Will Rigby - drums

    

Wes Lachot - keyboards

ROB SEZ: I tried to catch our heroes on their brief tour in 2024, and again in early 2025, but it was not to be. The only show I could possibly attend was cancelled due to illness, and later it was rescheduled to a date that didn't work for me. But virtual reality is still a version of reality, so I was very pleased that Man of Stealth taped this gig at the end of The dB's 2024 jaunt. The ostensible purpose of the mini tour was to promote the first-ever U.S. vinyl release of Stands for Decibels, in all its remastered glory. A remastered / reissued Repercussion followed soon thereafter. Additional thanks go to Dennis Orr, who mastered this recording, which sounds very good indeed. Blog reader FRS shot this video of "Amplifier" during this gig—nice!

*It's a amazing and remarkable to see the 4-piece dB's lineup still playing live music together 45 years after they started out — as Carolina-transplanted starving artists, trying to make it in NYC.*

FLAC (hi-res 24-48)

MP3@320

Peter Holsapple & Chris Stamey - Philadelphia, PA 2024 (sbd-stage matrix)

The Loft at City Winery

Philadelphia, PA

March 17, 2024

sbd-stage matrix recording (sound quality: Excellent)

CD 1

1.  intro

2.  She Was the One

3.  Geometry

4.  Big Brown Eyes

5.  Here Without You

6.  From a Window to a Screen

7.  Molly Says

8.  After All This Time/

Lost Without You 

9.  Swanhilda

10  Early In the Morning

11. Close Your Eyes

12. Our Back Pages 

CD 2

1.  The Child In You

2.  The Lord of the Manor

3.  She's Not Worried

4.  Today Could Be the Day

5.  Nothing Is Wrong

6.  Black & White

7.  I Want to Break Your Heart

8.  Angel

9.  <encore applause, tuning>

10.  Lonely Is as Lonely Does

11.  Something Came Over Me

12.  Here and Now

ROB SEZ: We're getting back to the origins of the blog with this post. Lilpanda is the one to thank for this very impressive recording. He snagged a direct feed from the soundboard and added an ambient recording using onstage microphones, mixed to create a superb audio artifact. If you leave a comment (GIGANTIC hint) please thank the great Lilpanda.

FLAC (hi-res 24-96 files) 

MP3@320

HOLSAPPLE-STAMEY FANS! Don't forget to snag Peter's new album The Face of 68, out now on vinyl, CD and digital release. Chris's next album Anything Is Possible is due out in July on Label 51 Recordings. The first single is the Beach Boys-esque "I'd Be Lost Without You." You can also hear the title track HERE. 

         

      

R. E. M. - What the Hell Just Happened? 1987-08-19 Athens, GA (sbd - M1) - NEW

The 40 Watt Club

Athens, GA

Aug. 19, 1987

  

soundboard recording

(Pat the Wiz's digital revision from his master reel)

    

01 Finest Worksong 

02 Welcome to the Occupation

 

03 The One I Love

04 Begin the Begin

05 Orange Crush*

06 Disturbance at the Heron House

07 Title

08 Superman

09 return to the stage

10 It's the End of the World as We Know It (And I Feel Fine)

   

     *LIVE DEBUT

   

SAMPLE TRACK: "Disturbance at the Heron House" (live Aug. 19, 1987 - sbd)

   

ROB SEZ: This recording prompted my return to blogging after years away. It’s easily one of my top 3 live recordings ever by the band. Michael, Peter, Mike and Bill are firing on all cylinders and sound elated to be playing 5 songs from album number 5, plus a few chestnuts and one brand-new song: Orange Crush, heard here in an early Michael-is-ranting version. Document had been completed by the time of this performance, but hadn't yet been released. I got the idea of compiling an alternative version of Document, and dug out of my archive an old, rare soundboard recording of this performance. That recording had some problems with digi noise, not to mention an unknown lineage. For some time, I’d been aware of the audience recording for this performance that came from the JEMS team. But once I knew there was a soundboard recording out there, possibly in better shape than the one in my archive, I was determined to find it. Eventually, that led me to the guy who recorded it in the first place: the true southern gentleman T. Patton Biddle (Pat the Wiz), who’s still living in Athens, GA after playing his part in the early career of R. E. M. Pat was utterly gracious in agreeing to send me a transfer from the safety cassette he dubbed from his master reel. I am proud to present what I believe is the definitive version of this gob-smacking performance, absent a direct transfer from the master. Please enjoy.

   

Someone who was there must’ve said:

What the hell just happened?

FLAC

MP3@320

If you want to hear my alternative version of Document, featuring demos and live takes, that's HERE. A generous handful of tracks come from this live recording.

Further details & recording lineage:

REMTimeline says:

Silent Peas show. R. E. M. perform unannounced as a supporting act & the live debut of “Orange Crush” features a totally different vocal arrangement, with Stipe just singing/rambling various army and war statements etc. Mike Mills & Bill Berry's usual backing vocal is not present in this version. Mike Mills thanks the Silent Peas for letting R. E. M. open the show for them.

LINEAGE: T. Patton Biddle's master cassette —> TPB's digital transfer, using unknown equipment —> unknown digital editing, including added compression —> Audacity for tracking, fades, normalization, editing out dead air, and 1 pass of eq to boost bass frequencies and lower treble —> FLAC

Find a link for the original raw, untracked, unprocessed file under Comments. 

That's it (for now) for my R. E. M. special shares.

Plenty more to come from The dB's and other artists.

           

R. E. M. - 'Surprise Guest' at The 40 Watt, Feb. 10 & Sept. 3, 1987 (sbd M1) - NEW

The 40 Watt Club

Athens, GA

Feb. 10, 1987

  

soundboard recording

(Pat the Wiz's digital revision from his master reel)  

00 stage entrance

01 Begin the Begin (fades in) 

02 Oddfellows Local 151

03 Lightnin’ Hopkins

04 Just a Touch (aborted)

     Note: Drew Worsham subbed for Bill Berry on drums

SAMPLE TRACK - Oddfellows Local 151 (live on Feb. 10, 1987)

The 40 Watt Club

Athens, GA

Sept. 3, 1987

  

soundboard recording

(Pat the Wiz's digital revision from his master reel)

00 stage entrance

01 Finest Worksong

02 These Days

03 Title

04 I Believe

05 It’s the End of the World As We Know It (And I Feel Fine)

06 unknown, untitled+

07 Disturbance at the Heron House

08 The One I Love

09 Begin the Begin

      +Michael claims this previously unknown song was written “at 9:20 this evening” — which is quite possible, given how shambolic & unfinished it sounds.

ROB SEZ: I'm calling this one “Surprise Guest” due to the nature of the performances. I relish the thought of a few people in & around Athens knowing R. E. M. would be making an appearance these nights, but others only hearing rumors about a surprise guest. The February set is noteworthy because two songs from Document see their live debut: “Oddfellows Local 151” and “Lightnin’ Hopkins.” These recordings are yet more goodness from the sound archives of T. Patton Biddle (Pat the Wiz), who made some of the most historically significant recordings of R. E. M. in the 1980s. Pat was kind enough to share with me digital transfers from his safety tapes. These two opening sets have previously circulated in soundboard quality, but they're not currently available through the usual channels. To my knowledge, this is the first time they've been placed into circulation with a known lineage, so this may be a new source even for those who already have other versions. I don't know if they're an upgrade or not, since I don't own any other versions. Check the comments if you want the untracked, raw files as I received them.

The view from the floor at The 40 Watt
  

FLAC

MP3@320

FURTHER DETAILS & RECORDING LINEAGE

REMTimeline says:

Feb. 10, 1987: Peter Buck, Mike Mills & Michael Stipe along with Drew Worsham on drums, play an impromptu set after Mystery Date. “Just A Touch” is aborted halfway through due to Peter Buck blowing out the [borrowed] guitar amp he was using.

Sept. 3, 1987: Smokin' Dave and the Premo Dopes show. R. E. M. perform unannounced as a supporting act, and according to Michael Stipe during the show, the unknown track was written at 9:20 p.m. that evening.

LINEAGE: T. Patton Biddle's master cassette —> TPB's digital transfer, using unknown equipment —> unknown digital editing, including added compression —> Audacity for tracking, fades, normalization, deleting dead spots, tempo adjustment, and 1 pass of eq to boost bass frequencies and lower treble --> FLAC

Stay tuned; more to come.