Friday, November 16

Peter H & Syd Straw - KCRW Session 1986 complete

LOSSLESSS RE-POST
KCRW-FM “Snap” Session
Santa Monica, CA
Sept. 4, 1986
    
FM capture (Ex- sound quality, probably from master or first-generation tape)
 
Syd & Peter, lost in the music
Dennis Stein photo via Flickr
ROB SEZ: This groovy session includes studio banter with host Deirdre O'Donoghue (R.I.P.), and Ilene Markell plays bass and sings on one tune. This is a really enjoyable set because everyone is relaxed & having a great time. BIG THANKS to the taper, original uploader & Mark45rpm for supplying the missing tracks.

01 The Price of Love (Everly Bros. song)
02 Lonely Is as Lonely Does
03 Take Me for a Little While (Trade Martin song)
04 Next to the Last Waltz
05 Pushin’ It Back        
06 World On a String
07 Keep Up With You        
08 Kind of True (G. Palominos cover)           
09 Private Number
10 You Don’t Miss Your Water
11 Up In the Air
12 Diamond (P. Holsapple song, rec. by G. Palominos)
13 Darby Hall
14 I Want to Live (Ilene Markell composition, sung by Ilene)
15 Junkie Girl (W. Becker cover)        
16 We Were Happy There
17 Listening to Elvis*
18 final chit chat
      
         *first appeared on the Coyote Records comp Luxury Condos Coming to Your Neighborhood
  
WAV lossless files 

MP3@320 
Alt. Link

Musicians:
Peter Holsapple - guitar, vocals
Syd Straw - vocals
Ilene Markell - bass

Bonus feature: A Most Excellent
Blog Remembrance of This Recording
  
THE RUMPUS (therumpus.net)
December 20th, 2008

I think it was in 1986 or thereabouts that my friend Jim Lewis gave me a bootlegged cassette of a live radio appearance by Peter Holsapple and Syd Straw (with, I think, Ilene Markell, on bass and backing vocalsall of it taking place on KCRW). Jim was my close friend in college, and he went on to become a novelist and journalist. These days he lives in Austin, Texas. Chief among the many bands that Jim made me aware of, back then, were The dB’s, featuring Peter Holsapple and Chris Stamey, and I became such a devotee of The dB’s and the other architects of the “Hoboken sound” that I actually moved to Hoboken (in 1985), and lived there for about seven years. I lived a couple of blocks from Yo La Tengo, and used to see Chris Stamey on the bus going into the city. I went to Maxwell’s, the club that served as the epicenter of the Hoboken sound, a lot. I got Bob Mould’s autograph there once. Anyway, the Straw/Holsapple cassette had something really luminous about it. Peter and Syd played a bunch of dB’s songs, those from LIKE THIS and THE SOUND OF MUSIC, as well, as some of Straw’s songs from the Golden Palominos album, BLAST OF SILENCE, on which she sang. And I’m pretty sure they covered their amazing duet, “Never Before and Never Again” [Rob says: apparently not — alas].
Somehow I’d missed the Straw era of the Golden Palominos. I had their first album, a much artier affair featuring Arto Lindsay, Bill Laswell, and John Zorn, et al. And I’d heard some of VISIONS OF EXCESS on the radio station, including “Omaha,” the song on which Michael Stipe sang. But it wasn’t until I heard the KCRW show that I understood what incredible singer Syd Straw was. I admired Holsapple already (and I ran into him on a plane once, when he was touring with Hootie and the Blowfish–and let me tell you there’s something strange about running into the heroes of your young adulthood when they are playing in Hootie and the Blowfish), and he shines on the bootleg, too, but Syd’s voice, which is part faux-country, part Broadway, and a fair amount Vaudeville, really struck something in me. Especially on songs like “Diamond,” Holsapple’s song from BLAST OF SILENCE, and “Listening to Elvis,” a Straw song from a Hoboken sampler called LUXURY CONDOS COMING TO YOUR NEIGHBORHOOD, Syd had some bittersweet (emphasis on bitter) and tragicomic (emphasis on tragic) quality that could not help but move even the casual listener. I wore out that cassette.

Read the rest of Rick’s great reflection HERE.
  

Friday, November 9

Peter Holsapple Combo - Live in Charlotte Videos + Report

The Evening Muse
Charlotte, N.C.
Nov. 4, 2018
  
Peter's combo played an hour-long set Sun. afternoon at Charlotte's Evening Muse
ROB SEZ: No audio this time, but I'm posting just about everything else: photos, video and my account of the event as it happened. Here's a taste of the proceedings, shot on my iPhone (hang in there for my 180-degree pan of the room near the end).

The Peter Holsapple Combo plays "Amplifier" by The dB's
 
Next, the set list:
The Man, the Myth, the Glasses
  
- Game Day*
- Commonplace*
- Continental Drifters*
- In Too Deep*
- Don't Mention the War*
- Invisible Boyfriend
- Inventory*
- I Can't Keep from Crying, Sometimes^
    (The Blues Project) 
- Tuff Day*
- Don't Worry 'Bout John
- Amplifier (The dB's)
- Them Changes* (Buddy Miles) - encore
  
* = selections from Game Day, the new album
^ composed by Blind Willie Johnson & Al Kooper
  
The venue & the show

The Evening Muse is located in Charlotte's hip NoDa (North Davidson) neighborhood. The Muse has been voted best listening room in multiple city-wide readers' polls, and it's easy to see why. It's a smallish venue with a great bar, friendly hosts, an excellent sound system, and plenty of hard surfaces to give it the right acoustics for a rock show.

Evidently, the Peter Holsapple Combo took a late afternoon time slot prior to a "prime time" show later in the evening. Doors opened half an hour before the start time, and all three members of the combo milled around the venue, greeting friends and fans like me. Peter spotted my dB's Repercussion Blog tee shirt, greeted me warmly, and handed me a PH Combo badge. Will Rigby came over to talk to me a few minutes later, while I attempted to scarf down some shrimp tacos from a nearby restaurant. Will introduced me to a family member, who lives in the greater Charlotte area. I then chatted a while with a dB's fan who told be about seeing the band live in 1979 and 1980 in its first incarnation — leaving me more than a bit envious.
  
After taking the stage, Peter announced the band didn't have much time, so it would be a "more music, less talk" kind of show. The guys then launched into the first four songs from Game Day, the new Peter Holsapple solo album. Immediately, I noticed two things: 1) the PH Combo is sounding confident & strong after playing a series of recent live shows, and 2) the rhythm section featuring the excellent Will Rigby on drums and impressive Glenn Jones on bass are a formidable addition to Peter's singing and lead guitar playing. Will's retirement from Steve Earle's Dukes sounds like it suits him: he sounded relaxed-but-righteous.
  
 
Peter's choice comments of the evening:
  
- Regarding his 2016 vinyl single "Don't Mention the War" including a card for a digital download (so as not to leave out fans with no turntable): "We're all about inclusion here in the Peter Holsapple Combo."
  
- Regarding the inspiration for the song "Inventory" (cleaning out his mother's condo after she passed away): "You read these stories [that are] like, 'Your kids don't want your furniture' — and it's true!"
  
- Regarding the inspiration for the song "Tuff Day", Peter talked about a co-worker of his at the Durham Performing Arts Center, his former employer. John "was this old guy at work. I'd ask him how he was doing and he'd say, 'tough day, tough day.' "
  
Here's one more I bet you haven't heard Peter sing before...

In sum, it was great to hear one half of The dB's playing 
together again after a 5-year hiatus.